Chinese and Western Landscape painting Essay Example | Topics and Well Written Essays - 500 words

Chinese and Western Landscape painting - Essay Example The painting offers a unique feature that makes it one of the greatest surviving masterpieces not just in China but throughout the artistic world. The significance of this painting is reflected in the time taken to finish it. The landscape painting had emerged into an autonomous genre that clearly embodied the nature longing of cultivated persons to escape quotidian world to commune with the universe. The Lackawanna Valley is in the collection of the National Gallery of Art in Washington, D.C. the artist inclusion of various tree stumps in the in his work foreground makes the piece of work unique, The painting exemplifies a significant philosophical dilemma that many Americans were tackling in the 1850s; Growth inevitably demanded the widespread destruction of nature which was not spoiled. My final comment to this piece of art is the effective use of muted colors experience also known as (Tonalism). This makes the paint a unique master piece and a reflective of the era that is such i mportant in the history of American civilization. From these and other observations, I came to a conclusion this work would be associated to the theme of westward expansion and its effects. Both landscape painters from the West and China have embedded their emotion and personal feelings towards the image as opposed to shallow depiction or appearance of the object. Nonetheless, most of the landscape painting from the west like this one in particular is largely affected by faith of Christian religion.

Chinese art - From the Foundation-fount of Painting Essay

Chinese art - From the Foundation-fount of Painting - Essay Example The essay "Chinese art - From the Foundation-fount of Painting" discovers Chinese philosophy of art from the foundation fount of painting. Chinese painters were a conservative bunch. They did not see the relevance of exploring other themes aside from their culture until the Europeans came to their land. However, this does not mean that the Chinese art of painting did not evolve at all. Initially, the painters were tied to making frescoes on temple and palace walls. The frescoes’ themes were mostly religious in temples while in palaces, the paintings were meant to celebrate the ruling family at that time. From frescoes, painting shifted to silk surfaces and paper. Artists relied on their own inspiration and pleasures to come up with the paintings. Painters concentrated on the beauty of landscapes and also strived to keep the memory of prominent leaders and individuals from disappearing once their eras came to a close. From literati paintings that concentrated on landscapes, hum ans and physical things, the craft shifted to formless beings and creatures. The painters became conscious of the spiritual world and they tried to enjoin the visible and invisible world through their paintings. At this point, art was acknowledged as a power to explore both the physical and spiritual world. They believed that physical creatures depended on these formless creatures for survival. Quoting from the text: what has form must rest on the without form. This means that physical life is a continuation.